|       All the    time-stamped rigors of daily journalism are behind her, but the pace of Susan Spencer-Wendel's life has only been hastened.    She is dying. And dealt a diagnosis she knows she can't beat, the race is on    to finish. Her greatest story. Her    toughest assignment. Her final deadline. Spencer-Wendel's job as a    court reporter at The Palm Beach Post made her    a local fixture, reporting on everything from the 2000 recount to Rush Limbaugh's legal woes. But what was once a constant    rush to be first with her courthouse scoops has become a dash to live her    remaining days joyfully, complete a long goodbye to those she loves, and    record it all in a book that has drummed huge interest and    multimillion-dollar book and movie deals. The clock ticks forward as her body    is betrayed by Lou Gehrig's disease and yet so much is left to do. Her life    has been full of happiness and she sees no reason her last days should be    much different. "Life is full of    chapters," she says, knowing full well this is her last. Spencer-Wendel was on    auto-pilot, locked in a time-worn routine of breaking news at the Post and    "navigating the daily dance of sibling warfare" at home with her    three children. That day in 2009 was just like every other, until she undressed    for bed and noticed her left hand, scrawny and pale, starkly different from    her right. "You need to go to    the doctor," her husband, John Wendel    said. She went through a year    of medical appointments and tests and a subsequent year of denial. She sunk    into depression and contemplated suicide. When the verdict was finally    delivered, there was no surprise. On the way back from the    neurologist, she waited outside when her husband stopped in Burger King for a    bite. And reflecting on the news she received, she was overcome with a    strange feeling of gratitude, for the 44 years she had lived with nary a    health problem to speak of, for the career, the family, the travels, for all    she'd been blessed with. Before long, a roadmap was in place for her    remaining time. She would travel the    places she wanted to go, surround herself with the people she loved, prepare    her family for what's to come. She would live. Joyfully. She went to California to    find her birth mother; to New York, where her teenage daughter tried on wedding    dresses for a glimpse of a day they'll never share; to Budapest, where she    and her husband retraced footsteps of an earlier life; to the Yukon, in a    vain attempt to see the Northern Lights with her lifelong best friend; to the    Caribbean, to Cyprus, and on and on. Along the way, she wrote    stories about two of her trips for the Post that were so heartbreakingly    recorded they caught the eye of HarperCollins, which gave her a $2.3 million    deal, and Universal Pictures, which followed with a seven-figure offer of its    own. She sprinted to continue her travels and to put them in writing, tapping    out the vast majority of her book, "Until I Say Goodbye," on her    iPhone using just her right thumb. She believes it is the    best thing she has ever written, this narrative in which her travels are    documented alongside her own decline. Now 46, the woman who rushed to    hearings and banged out stories in a flash no longer can walk or swallow a    pill. But she offers a manuscript as likely to tug at the funny bone as the    tear ducts. "I did not want to    write a maudlin book," she says in an interview, "I wanted people    to laugh." It is tinted by her life    in journalism, easy-to-digest chapters with simple language, each of them    like standalone stories buttressed by engaging starts and even stronger    finishes. It was a conscious effort on her part, and that of her co-author    Bret Witter, to focus so intently on each story's ending. And she's quick to    see the parallels in her own life, her own search for a powerful ending. As that day draws closer,    she's comforted by the way her son Aubrey notices the sky's brushstrokes as    the sun goes down, how Wesley talks of being a dolphin trainer and Marina    dreams of living in New York. She thinks about her husband John and prays he    finds love again, that he loses not a moment to guilt. She laughs and reads    and writes. She lives the best she can, hoping to impart lessons with her    parting choices. "I am not    gone," she writes. "I have today. I have more to give. I know the    end is coming but do not despair." ___ Spencer-Wendel's body has withered and weakened.    She must rely on her husband to do nearly everything for her, from lifting a    Parliament to her lips for a drag to folding her hands on her lap and fixing    her hair. As the book's March 12 release approached, though, her appearance    was most notable for the wide smile she wore and the peace that she radiates. She relaxes this average    Tuesday afternoon, watching "Law & Order" in her den, enjoying    a lick from her new French bulldog and laughing with glee when her sister    pays a visit. The book is done, the travels are over, but Spencer-Wendel has    found a measure of solace as her life draws to a close. Most ALS patients die    within three to five years of diagnosis. She knows her days are few. Though there are new    challenges each day, Spencer-Wendel has also found new joy. Eating and    swallowing keep getting harder, but she's thrilled by the interest in her    book, by the new articles and clippings that keep arriving in her mailbox.    Her voice becomes more and more garbled, yet she relishes the time her and    her husband share even though it is her illness that forced him to quit his    job. She constantly looks on the bright side. "I listen often to    one of my favorite rock songs, guitarist Eric Johnson's 'Cliffs of Dover,'"    she recalled by email. "And I think 'Thank God I was not a guitarist!' I    watch ballet and think 'Thank God I wasn't a dancer.'" She tries not to wish for    the things she knows she can't have. She tries not to wish for a cure. She is comforted by the windfall    her book has brought, the financial freedom it will bring to those around    her. But she must prepare her children for what's next, must say everything    that's left to be said. Some of it, she hopes has been communicated through    her writing and her philosophies and her outlook. To accept what comes. To    relish the journey. To see fear as a waste of energy. More than anything else,    she wants to leave her family so well situated that they will thrive as much    after the day comes as before. That they will live. Joyfully.  |    
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